Financial Gods
IMF, World Bank & WTO: Friend or Foe?
a TV Documentary Series by Howman & Cetintas ♦ 3x 55 minute episodes
FoG Films Limited in association with Silver Productions Limited
The series will be presented by Karl Howman and filmed in UK. Programme’s aim is to explain what the IMF, World Bank and WTO are, who runs them, how they work, where they get their money from and more importantly how their decisions affect the lives of UK citizens and billions of others around the world and asks the question: Are they friend or foe?
The emergence of a global economic regime…
While the world was still engaged in World War Two, 44 nations led by the USA met at Bretton Woods to discuss economic plans for the post-war peace. Three regulatory institutions were envisaged: the IMF, the International Bank for Reconstruction and Development (IBRD, later known as the World Bank), and an International Trade Organisation (ITO), which came into being only as the General Agreement on Tariffs and Trade (GATT), but later became the WTO. These institutions would assume the role of the state in a global market economy.
Nowadays all three institutions play roles greatly different from those agreed under the charters that set them up. Criticised for abandoning their original mandates, the Bretton Woods organisations appear to now only serve the interests of corporate globalisation. ‘Global’ has now come to mean a few thousand people clustered in a small space, controlling the lives of billions of others.
The purpose of this series is to inform the public about the formation, structure and function of the financial institutions; IMF, World Bank and Word Trade Organisation –The ‘Financial Gods’. A sense of their history, intentions and rationale will be covered. However the bulk of the programmes will cover more interesting angles such as where they get their funds from and how they are connected to each other. How political manoeuvrings by self-interested member states affect UK financial policy and many other countries around the globe. Why our government seems determined on huge cuts on spending (under the aegis of IMF policy) when in all practicality it will make little difference to the deficit at all. Reasons will be examined, challenged and argued.
To date there has been no programme concentrating specifically on the workings of these organisations, how they are connected, their methods and more importantly, how they affect our lives. →
Why the UK government is listening?
If you ask someone what the IMF, World Bank and World Trade Organisations are, who runs them, how they work and how they affect us; chances are they will be hard pressed to tell you much at all. Then ask them if they would like to know why the UK government is listening to the IMF by implementing huge public spending cuts, you will get definite interest.
For this reason we believe ‘Financial Gods’ will appeal to a wide audience. At times of austerity the public (in general) will rally round and take public service cuts on the chin - as long as a sense of ‘fair play’ pervades, the public are a tolerant bunch. However, on the back of the taxpayer bail-out of the banks, MP’s expense fiddles and broken election promises, the public is beginning to question why they should bear the brunt of the cuts. Especially when those cuts have been implemented by outside financial organisations that were instrumental in the global crisis.
There is an appetite for investigative programmes informing the public about the decision making processes in Westminster, in particular those surrounding the current economic crisis, deficit reduction and resulting austerity measures. The general public want to know who controls finance and the powers that govern it. We aim to present a unique, truthful, non-patronising but easy to understand, informative programme about the IMF, World Bank and WTO.
Presented by Karl Howman, a well-respected English actor, the programme will be lent extra credibility as his public persona is that of an ‘everyman’. The pace will be fast moving supported by bespoke music commissioned from Stuart Roslyn. There will be alternative shots available to cover the areas where there is a presenter on screen, to suit countries who do not wish to use a presenter style documentary, making it possible for multi-lingual versions of the series. §